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Under the Roofs of Paris (0802131832)

In 1941, Henry Miller, the author of Tropic of Cancer, was commissioned by a Los Angeles bookseller to write an erotic novel for a dollar a page. Under the Roofs of Paris (originally published as Opus Pistorum) is that book. Here one finds Miller's characteristic candor, wit, self-mockery, and celebration of the good life. From Marcelle to Tania, to Alexandra, to Anna, and from the Left Bank to Pigalle, Miller sweeps us up in his odyssey in search of the perfect job, the perfect woman, and the perfect experience. Product details Format Paperback | 272 pages Dimensions

Casebook of Traumatic Injury Prevention (9783030274184)



This casebook profiles exceptional traumatic injury prevention programs from all over the globe. Its detailed description and analysis employ a multi-stage process of identifying, evaluating, and casing effective prevention practices. The case studies reflect how legislative and regulatory information impact prevention efforts and provide insight into how national centers for injury prevention and control inform prevention practices on countrywide levels. The authors work with outcome-based research criteria to select and develop their comprehensive and contextually aware profiles of the programs. All included case studies follow the BRIO approach (Background, Resources, Implementation, and Outcome) - a model designed to provide a consistent way of describing programs that have been evaluated and found to be exceptional practices.

The scope of the Casebook ranges across:

The challenge of traumatic injury prevention
Sports and recreation-related traumatic injury prevention
Fall-related traumatic injury prevention
Road traffic-related traumatic injury prevention
Traumatic injury prevention within complex systems

In its recognition of traumatic injury prevention across the lifespan as a critical and complex public health challenge, the Casebook of Traumatic Injury Prevention promises to be an influential and authoritative resource for professionals and students in public health, safety, injury prevention, medicine, psychology, sociology, nursing, and engineering. Government agencies and institutions such as the Centers for Disease Control and Prevention (CDC), public health departments, and safety associations also would find the Casebook relevant to their work.


Product details

  • Hardback | 562 pages
  • 178 x 254 x 31.75mm | 1,283g
  • Cham, Switzerland
  • English
  • 1st ed. 2020
  • 38 Tables, color; 40 Illustrations, color; 29 Illustrations, black and white; XI, 562 p. 69 illus., 40 illus. in color.
  • 3030274187
  • 9783030274184


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Under the Roofs of Paris (0802131832)

In 1941, Henry Miller, the author of Tropic of Cancer, was commissioned by a Los Angeles bookseller to write an erotic novel for a dollar a page. Under the Roofs of Paris (originally published as Opus Pistorum) is that book. Here one finds Miller's characteristic candor, wit, self-mockery, and celebration of the good life. From Marcelle to Tania, to Alexandra, to Anna, and from the Left Bank to Pigalle, Miller sweeps us up in his odyssey in search of the perfect job, the perfect woman, and the perfect experience. Product details Format Paperback | 272 pages Dimensions

Everybody Thought We Were Crazy : Dennis Hopper, Brooke Hayward, and 1960s Los Angeles (9780062939975)

National Bestseller A landmark and long-overdue cultural history. --Vogue The stylish, wild story of the marriage of Dennis Hopper and Brooke Hayward--a tale of love, art, Hollywood, and heartbreak "Those years in the sixties when I was married to Dennis were the most wonderful and awful of my life." --Brooke Hayward Los Angeles in the 1960s: riots in Watts and on the Sunset Strip, wild weekends in Malibu, late nights at The Daisy discotheque, openings at the Ferus Gallery, and the convergence of pop art, rock and roll, and the New Hollywood. At the center of it all, one inspired, improbable, and highly combustible couple--Dennis Hopper and Brooke Hayward--lived out the emblematic love story of '60s L.A. The home these two glamorous young actors created for themselves and their family at 1712 North Crescent Heights Boulevard in the Hollywood Hills became the era's unofficial living room, a kaleidoscopic realm--"furnished like an amusement park," Andy Warhol