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Under the Roofs of Paris (0802131832)

In 1941, Henry Miller, the author of Tropic of Cancer, was commissioned by a Los Angeles bookseller to write an erotic novel for a dollar a page. Under the Roofs of Paris (originally published as Opus Pistorum) is that book. Here one finds Miller's characteristic candor, wit, self-mockery, and celebration of the good life. From Marcelle to Tania, to Alexandra, to Anna, and from the Left Bank to Pigalle, Miller sweeps us up in his odyssey in search of the perfect job, the perfect woman, and the perfect experience. Product details Format Paperback | 272 pages Dimensions

The Major Works (9780199572762)



This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Tennyson's poetry and prose - juvenilia as well as his best-known poems, and letters and journal entries - to give the essence of his work and thinking.

Tennyson was acclaimed in his own day as the chief poetic voice of his age, and he remains one of the most highly regarded masters of the music and mood of poetry. This edition selects extensively from Tennyson's entire career, beginning with his striking juvenilia, through his career as Poet Laureate and the powerful poetry he wrote in his ninth decade. It contains such classics as 'The Lady of Shalott', 'Morte d'Arthur', Break, Break, Break', 'Locksley Hall', 'Ulysses', 'The Charge of the
Light Brigade', and 'Tears, Idle Tears'. It also includes in its entirety Tennyson's quasi-feminist epic The Princess, as well as the whole of In Memoriam, Maud, Enoch Arden, and several of the Idylls of the King. The poems are augmented with a broad selection from Tennyson's letters, as well as
relevant passages from his son Hallam Tennyson's Memoir of his father, where Tennyson talks widely about his own poetry and the writing of others.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.


Product details

  • Paperback | 656 pages
  • 130 x 198 x 38mm | 475g
  • Oxford, United Kingdom
  • English
  • 0199572763
  • 9780199572762
  • 129,716


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Under the Roofs of Paris (0802131832)

In 1941, Henry Miller, the author of Tropic of Cancer, was commissioned by a Los Angeles bookseller to write an erotic novel for a dollar a page. Under the Roofs of Paris (originally published as Opus Pistorum) is that book. Here one finds Miller's characteristic candor, wit, self-mockery, and celebration of the good life. From Marcelle to Tania, to Alexandra, to Anna, and from the Left Bank to Pigalle, Miller sweeps us up in his odyssey in search of the perfect job, the perfect woman, and the perfect experience. Product details Format Paperback | 272 pages Dimensions

Everybody Thought We Were Crazy : Dennis Hopper, Brooke Hayward, and 1960s Los Angeles (9780062939975)

National Bestseller A landmark and long-overdue cultural history. --Vogue The stylish, wild story of the marriage of Dennis Hopper and Brooke Hayward--a tale of love, art, Hollywood, and heartbreak "Those years in the sixties when I was married to Dennis were the most wonderful and awful of my life." --Brooke Hayward Los Angeles in the 1960s: riots in Watts and on the Sunset Strip, wild weekends in Malibu, late nights at The Daisy discotheque, openings at the Ferus Gallery, and the convergence of pop art, rock and roll, and the New Hollywood. At the center of it all, one inspired, improbable, and highly combustible couple--Dennis Hopper and Brooke Hayward--lived out the emblematic love story of '60s L.A. The home these two glamorous young actors created for themselves and their family at 1712 North Crescent Heights Boulevard in the Hollywood Hills became the era's unofficial living room, a kaleidoscopic realm--"furnished like an amusement park," Andy Warhol